What it was: Sony’s format for pint-sized recordable audio discs, introduced in 1992. The idea was that it combined the best qualities of compact discs and cassette tapes into one high-quality, portable package that could contain up to 80 minutes of music.
What happened: MiniDisc found some fans -- it was popular in Asia and among musicians. But it never gained much support from the music industry, so few prerecorded albums were available. And within a few years of its introduction, it found itself competing with digital downloads. While Sony introduced NetMD, a MiniDisc variant that supported MP3, the company made it remarkably unappealing by adding copy protection to your tracks as you transferred them to disc. Why would you choose NetMD when a multitude of players, such as those from Diamond and Creative, let MP3s be MP3s? Good question!
Current whereabouts: In 2004, Sony upgraded the MiniDisc format with Hi-MD, a higher-capacity, more flexible standard that was backwards-compatible with MiniDiscs. It garnered some admiration among audiophiles for the high quality of its recording capabilities. But as of 2009, only one Hi-MD device remains in Sony’s lineup, the MZ-M200. It’s aimed at musicians and journalists who need to make recordings on the go. The moment it disappears, we can officially declare MiniDisc dead.
SOURCE: 'Where Are They Now? 25 Computer Products That Refuse to Die' by Harry McCracken.
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